Path of Power

2022


The exhibition brings together photographs, paintings and a video of a trip to the historic Caminho do Ouro in Brazil, made by Vaz in 2016, in the context of the project Caminho do Ouro. This project was an articulated set of research and artistic production, with the experience of the so-called Caminho Velho or Estrada Real as its central objective. At the base of the reconnaissance of the terrain was the objective of documenting the nature that was not yet devastated and, therefore, close to that seen by bandeirantes, slaves and muleteers, among others, throughout the, 18th and 19th centuries.On the other hand, the research enunciated a profile that was repeated along the way: the intertwining between the strength and dimension of the natural landscape and the human power and influence, seeing how nature goes from being inevitably sovereign to being submissive, under the agility of man.

Project exhibitions: Path of Power, Enrique Guerrero Gallery, Mexico City, MX., Trilha do Facão (Kubikgallery, Oporto, PT, 2017), Imaginação da Pedra (Consulate of Portugal in São Paulo, São Paulo, 2017), Cabana (Secs Itaquera, São Paulo, BR, 2018), Depois do choque, os trópicos, (Luísa Strina Gallery, São Paulo, BR, 2018), A natureza do deslumbre, [Para] Sites, (Espuma dos dias, Lisboa, PT, 2021).
Expedition: Historic Gold Trail between Paraty and Ouro Preto, Br. 2016.

Map, 2022
Intervino map, glued to plywood
45 x 45cm

Map, 2022

Intervino map, glued to plywood

45 x 45cm

Exhibition view, Enrique Guerrero Gallery, Mexico City, Mexico, 2022.

Exhibition view, Enrique Guerrero Gallery, Mexico City, Mexico, 2022.

Palette
Photography and acrylic on plywood
30,5 x 22cm

Palette

Photography and acrylic on plywood
30,5 x 22cm
Untitled, 2022
Acrylic on plywood
49 x 44 x 0.8 cm​

Untitled, 2022

Acrylic on plywood

49 x 44 x 0.8 cm

Exhibition view, Enrique Guerrero Gallery, Mexico City, Mexico, 2022.

Exhibition view, Enrique Guerrero Gallery, Mexico City, Mexico, 2022.

Palette, 2022
Photography and acrylic on plywood
30,5 x 22cm

Palette, 2022

Photography and acrylic on plywood
30,5 x 22cm
​Untitled, 2022
Acrylic on plywood
66 x 45 x 0.8 cm

Untitled, 2022

Acrylic on plywood
66 x 45 x 0.8 cm

Exhibition view, Enrique Guerrero Gallery, Mexico City, Mexico, 2022.

Exhibition view, Enrique Guerrero Gallery, Mexico City, Mexico, 2022.

Untitled, 2022
Acrylic on plywood
44 x 66 x 0.8 cm​

Untitled, 2022

Acrylic on plywood

44 x 66 x 0.8 cm

Exhibition view, Enrique Guerrero Gallery, Mexico City, Mexico, 2022.

Exhibition view, Enrique Guerrero Gallery, Mexico City, Mexico, 2022.

Palette
Photography and acrylic on plywood
22 x 30,5cm

Palette

Photography and acrylic on plywood
22 x 30,5cm
Untitled, 2022
Acrylic on plywood
35 x 52 x 0.8 cm​

Untitled, 2022

Acrylic on plywood

35 x 52 x 0.8 cm

Untitled, 2022
Acrylic on plywood
30.5 x 43 x 0.8 cm​

Untitled, 2022

Acrylic on plywood

30.5 x 43 x 0.8 cm

Exhibition view, Enrique Guerrero Gallery, Mexico City, Mexico, 2022.

Exhibition view, Enrique Guerrero Gallery, Mexico City, Mexico, 2022.

Untitled, 2022
Acrylic on plywood
52 x 35 x 0.8 cm​

Untitled, 2022

Acrylic on plywood

52 x 35 x 0.8 cm

Untitled, 2022
Acrylic on plywood
46 x 67 x 0.8 cm​

Untitled, 2022

Acrylic on plywood

46 x 67 x 0.8 cm

Exhibition view, Enrique Guerrero Gallery, Mexico City, Mexico, 2022.

Exhibition view, Enrique Guerrero Gallery, Mexico City, Mexico, 2022.

Untitled, 2022
Acrylic on plywood
35 x 52 x 0.8 cm​

Untitled, 2022

Acrylic on plywood

35 x 52 x 0.8 cm

Untitled, 2022
Acrylic on plywood
30.5 x 46 x 0.8 cm​

Untitled, 2022

Acrylic on plywood

30.5 x 46 x 0.8 cm

Exhibition view, Enrique Guerrero Gallery, Mexico City, Mexico, 2022.

Exhibition view, Enrique Guerrero Gallery, Mexico City, Mexico, 2022.

Using Format